One could test this by capturing images at different exposures. Then, press the Alt or Option key on your keyboard. Phase One created them with a lot of patches in many different exposure levels — way more accurate than the standard Color Checker can deliver. If you found it, take your external light meter and measure the right exposure. While these are potentially 3 dimensional, only a single Value Dimension is used throughout the table, thus making twists impossible. That would require very much time in postprocessing to even out all those red tones:. I predict that no hue twists will be seen.
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No exposure adjustments are made.
For this second image of the ColorChecker we need warm, yellowish lamp light: tungsten, an ordinary old-fashioned light bulb. Adobe Photoshop Lightroom Develop mode: color profile selection menu.
In English please, so we can all learn from it and contribute to it.
I find some of your observations very interesting and I would like your comments on some observations of my own. Take the photo, with the ColorChecker chart as big and as sharp as possible.
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|When one uses any Adobe profile as a base profile to construct a custom profile with the Color Checker and the Profile Editor, the Look Table is completely removed.
No, everything is right from the first time. We will change the default settings of Adobe Photoshop Lightroom, so it applies the new DNG camera profile automatically on every import. Way better and all the skin tone problems are gone. Fortunately, the color profiles generated with the ColorChecker are much more forgiving.
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If you found it, take your external light meter and measure the right exposure.
With the ColorChecker you only measure at one brightness level. No green grass, no red leaves, no blue reflections in the water, etc. Please be assured I do not mean to fault your conclusion that the profile has no hue twists. The problems you see with the Passport produced profiles may be due to tonality, not color. We want the old, cheap, normal ones which will emit a consistent color spectrum.
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|Also in this case there are some difficult areas with a wrong color saturation, when using one of the standard Adobe profiles.
As you can see, there are huge differences when you look at the shadow areas of the skin tones:. So, wait until high, midday noon. But Capture One solved it all for me. To me, that makes it easier to work with. One of the best kept secrets within the fashion and beauty photography is the way to obtain absolutely perfect and flawless skin colors, brightness and texture.
Again, make sure to have no color casts.
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So, wait until high, midday noon. Thanks to the dcpTool websitewhich made me understand more and more of these rather complex color conversions. While these are potentially 3 dimensional, only a single Value Dimension is used throughout the table, thus making twists impossible.
Sometimes that works great for nature photography and for Asian skin which has less of the red color component in it, while compared with average European Caucasian skin. No more spontaneous hue changes in dark areas.
The white balance is accurate in all of the 3 images.
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|You select either K or K. While these are potentially 3 dimensional, only a single Value Dimension is used throughout the table, thus making twists impossible.
No exposure adjustments are made.
After converting you can delete your two original RAW files which came from your camera. Did you perhaps use a much earlier edition of Adobe profiles? And above all: have fun!