Optionally, matched pairs are available for stereo-recording applications. The microphones can be successfully used in professional sound reinforcement systems, in broadcast and TV studios, in movie and video industry, project studios and home recording, and many other applications. The handy compact size and versatile mounting, combined with high SPL capability make these microphones ideal for close instrumental situations. The Vintage model is the more expensive of the two. It was so clear and open, with so much detail shining through. These characteristics become important when selecting a mic for different applications. Comparing the two models side by side quickly revealed their sonic differences. However, internally they have completely different capsule designs, resulting in different sonic qualities. The advisable distance is 5 to 10 cm from a drum rim, but you can try different positions and angles. The diaphragms are sputtered with our special formula of gold mixture.
The new Violet model reviewed here is the Amethyst and is available in two centre-terminated design, whereas the vintage model has dual diaphragms, the.
"The Amethyst" Vintage uses dual diaphragm VD67 capsule and is designed for that classic warm sound we know from the classic vintage microphones. It has a.
Violet's Amethyst Vintage is the second mic in the Amethyst family. Like its sibling, it is a fixed-cardioid, large-diaphragm FET condenser. Both models have.
It is available from external microphone preamplifier and mixing console inputs or from separate phantom power supply units, but some units, though rated as 48 volt sources, may supply inadequate or unstable phantom power, which can result in distortion and degraded performance.
Both "The Amethyst" models are unidirectional cardioid microphones, please use them from an active side of the capsule marked with Violet Design logo. The Vintage and Standard models really are entirely different beasts, though, with differing strengths and weaknesses, and they should be appraised with that in mind.
The Vintage model seems to me the more neutral and linear of the two designs, and in testing it compared a lot more closely to my ruler-flat Sennheiser MKH40 reference. They are versatile, precise, and crush everything in their price range. The main body of the mic is painted in a textured paint and is about mm long.
The Amethyst Violet Design
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The Amethyst is an attractive and well-built microphone that delivers a sonic performance commensurate with its price.
You can use a pair as overhead microphones.
Aaron Harris Recording Engineer, Mixer. The Standard version is noticeably brighter and may well tend towards a sibilant sound with some vocalists.
The diaphragms are sputtered with our special formula of gold mixture.
Violet design the amethyst vintage testors
|The advisable distance is 5 to 10 cm from a drum rim, but you can try different positions and angles. Both microphones sound very open and natural, with fast and accurate transients, extended bottom ends and modest proximity effects, the Vintage model being slightly better in this respect.
Typical that this is the more costly model of the two — I always have had expensive tastes! Shockmount is optional extra. With percussive sources such as pianos and acoustic guitars, the extra 'air' of the Standard model seems to help tracks cut through in a mix better, giving a lovely, precise, detailed sound quality.
I first tried these on overheads and realized I didn't need U67's nor EQ anymore - just a great all around mic with amazing definition. The discrete, transformerless, solid-state electronics in the main body and the capsule in the separate head section are both supported by internal shockmounts, for a degree of mechanical isolation.
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Video: Violet design the amethyst vintage testors Multiple Mic Voice Comparisons by Kirk Harnack
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The Vintage and Standard models really are entirely different beasts, though, with differing strengths and weaknesses, and they should be appraised with that in mind.
Recent topics Alternative knob box to BCR???? For end users, Violet's vast experience in microphone technologies coupled with graceful designs adds up to unprecedented quality.
You can use a pair as overhead microphones. Elegant and effective shockmount design. Optionally, matched pairs are available for stereo-recording applications.
On voices, the Vintage Amethyst is the cleaner and more natural of the two, free from sibilance but still bright and clear.
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|Unusual styling. Tube Stereo -less. Various legal battles and copyright disputes have followed, and as a result Zarins now markets his microphones directly under the Violet name.
Use pop filters in studio, or foam windscreens in live applications to reduce plosive sounds, breath, pop and wind noises. I also use an Amythest for acoustic guitar recording, and a pair of them for acoustic piano. Also using my Wedge for female vocals a lot It also has a mild 'suck-out' at upper-mid frequencies — around Hz or so — which emphasises its brighter aspect.